Burdened by an irrational fear of being pushed onto the metro tracks, a woman muses on what it is to fall. To fall flat, heavily in love, deep into sleep, or into a holiday pool that time on a faraway Greek Island at 2am. Waves keep crashing, summoning Deeply, Madly as an obsession with moments of being mid-motion — bodies, emotions and time that all succumb to gravitational forces — from the lovesick, to the slapstick, to the macabre.
Supported by De Korte Verbeelding with Netherlands Film Fonds.